Celebrating hot air over hard facts: the Hardy v Pyne public opinion saga and what it means for democracyWhen ABC columnist Marieke Hardy stated in an opinion piece for The Drum that Federal MP Christopher Pyne was the most hated man in Australia and that she hoped he’d “get attacked by a large and libidinous dog,” public opinion was divided (Hardy 2010). A number applauded the accuracy and humour of the assertion while others were dismayed that public money was funding such “childish” opinions (Crikey 2010; Green 2010b). Four days later when The Drum’s editor Jonathon Green removed Hardy’s piece and apologised to Pyne for “the attack” and its “deeply personal nature,” readers were divided further still (Green 2010b). Catch cries of “democracy,” “free speech” and “satire” were mixed among labels of “personal vilification,” “patronisation,” and “shallowness” (Green 2010b). The vast number of opinions on both Hardy’s piece and Green’s decision to remove it reflect the messy, diverse and complex ethical principles that inform opinion pieces and their reception in Australian society. It will be argued that the significant freedoms Australian journalists enjoy to express (and inadvertently influence and shape) public opinion should not be at the expense of fulfilling their primary role in society to inform, educate and entertain through careful, considered and ethically sound opinion.
Coverage of the
Hardy v Pyne incident in isolation can be understood in simple terms as an
instance of bad editorial judgement. On 1 October 2010, four days after
publication of Marieke Hardy’s column “The Pyne Experiments” on ABC’s The Drum, editor Jonathan Green
acknowledged he was “wrong” to approve the piece because it “failed to meet the
standards for argument and well-thought opinion” upheld by the ABC (Green
2010b). To briefly explain the argument Hardy composed[1]
before measuring it against ABC’s standards as outlined in their Editorial
Policies; Hardy based her judgement that Pyne is the most hated man in
Australia predominantly on his appearance on interactive political talk show, Q and A. There, she recalls, he
“bleated…in his shrill voice” about the injustice of being cut off mid-sentence
by host Tony Jones (Hardy 2010). She drew “evidence” to support her
Australia-wide claim of dislike for Pyne from her father who “despise[s]”
Pyne’s “crinkly hair,” her friend who says watching “parseltongue[2]
on television gives [him] the creeps” and Twitter user Abe Frellman who says he
“taste[s] a little vomit in [his] mouth” when Pyne says ‘Kumbaya.’ After these
“fact-finding conversations,” Hardy compared Australia’s hatred for Pyne
against their dislike for other public figures in an attempt to somewhat
scientifically prove her ‘thesis’ via the process of elimination. Articulated
in her own words, Pyne is hated more than Kyle Sandilands (the “fat-headed
bearded man on the radio”), India (“the brown people [who] ruined our special
sporting event”), “disgraced footballer” Brendan Fevola, and is hated equally
as much as Chris Brown (a “douchebag” who in 2009 pleaded guilty to a highly
publicised felony assault of his girlfriend).
Because this
essay’s focus is not on the possible legal ramifications of Hardy’s piece but
on the ethical principles it calls into question, the defamatory nature of
these “opinions” will not be discussed at great length. However, it is
important to note that Hardy’s piece would most likely fail possible defenses
of fair comment and honest opinion as outlined in S.30 of the Defamation Act 2005[3]
should Pyne take legal action[4].
Of equal importance is judgement of Hardy’s piece in relation to the ethical
standards Green references in his letter of apology. These standards, as
outlined in ABC’s Editorial Policies, specify that journalistic opinions should
be conveyed accurately[5]
(2.1), that intrusion into a person’s private life without consent “must be
justified in the public interest[6]”
(6.1) and that content likely to cause harm or offense “must
be justified by the editorial context[7]” (7.1) (ABC 2011a: 11).
In light of
these standards, it can be argued that Green’s revised assessment of the piece
is more suitable in that many of the sweeping statements Hardy makes are highly
defamatory and do not meet ABC’s regulatory standards. First and foremost,
Hardy herself cynically acknowledges her “watertight and wholly structured
journalistic argument” is exactly the opposite and that her ‘facts’ are mostly
baseless and defamatory in and of themselves (Hardy 2010). Secondly, her piece
is that of a personal attack on Pyne’s character unrelated to his political
function and thus, it can be argued, is not in the “public interest” as it is
defined in journalistic codes (as referenced above). Finally, although Pyne
later stated in an interview he was “not worried” and didn’t take Hardy’s piece
personally, he has also noted he is “serious about defending himself and his
family from statements that are vicious, and/or false” and therefore
acknowledges there is cause for offence (Media Diary 2011).
Despite these
reasons as to why Hardy’s piece is ethically dubious, many people, including
journalists, felt Hardy’s piece shouldn’t have been censored from public
opinion (Green 2010b). Interestingly, Green himself seemed to imply he wasn’t
wholly satisfied in the decision to take down Hardy’s piece as he tweeted theafternoon of the removal, "I'm beginning to think I have rather quaint
ideas about news value[8]"
(Green in Wright 2010). A closer examination of reasons for these reactions (as
predominantly sourced from comments on Green’s retraction letter) offer keen
insight into how journalists and the public see their role in society and the
ethical principles that inform them.
A common response
to the retraction of Hardy’s piece was the insistence that Australia is a “free
speech democracy” where “everyone, especially politicians, are open to criticism
and attacks,” and therefore Christopher Pyne somewhat “deserved” the criticism
(Green 2010b). This notion that democracy is exclusively tied to the freedom of
expression[9]
is a long-standing idea that can be traced back to John Milton’s notion of the
“marketplace of ideas” and Kant’s duty ethics. In brief, these libertariantheories believe that anyone with something to say is morally bound to say it
because such ‘freedom’ enables ideas to compete with one another until truth
eventually wins over falsehood (Peterson 1963: 97). The media, particularly
comment sites like The Drum, play a
key role in providing such a platform for the “marketplace of ideas” because of
their wide access to national audiences and their reasonably open avenues for
contribution. Under this notion, therefore, it seems natural that Hardy’s
piece, as an expression of her opinion, had a right to be voiced in the same
way the public had the right to agree or disagree with it.
The problem,
however, comes when by utilising her right to speak freely, Hardy impinged upon
Pyne’s equally democratic individual right to privacy and reputation (Peterson
1963: 97). As a political figure, Pyne’s right to privacy is strongly
contested. It is believed he is especially prone to scrutiny because he is
constantly in the public arena as a political representative (Green 2010b).
Yet, the line between what is and isn’t of public interest is largely unclear.
To use Hodges’ metaphor, the media’s role in society is like that of a
marriage; there are laws and regulation in place as an estimation of contemporary social and moral
values, but the relationship between the two is
ultimately worked out informally on a continual basis (Hodges 1986: 19). A
recent study conducted by Andrew Kenyon examining the chilling effects faced by news
media in Australia found that one third of opinion pieces (out of a sample of
112) contained defamatory allegations, and within that, 47.1 per cent were
directed towards government officials (Keynon 2010: 451-453). These statistics
alone suggest that Australian media often
flirt with the seemingly grey line of defamation and fair comment in opinion
pieces, and politicians are often on the receiving end.
Unclear notions of what is in the public interest when discussing
politics has seen the Australian media recently come under fire by politicians,
journalists and academics who argue that political debate is being “dumbed
down” by the rise of “personality politics” (Gallop 2011; Hyland & Gordon
2011; Carney 2011). Hardy’s piece is an apt example of opinion about a politician
being (albeit temporarily) passed off as a form of political analysis. Beyond
the use of Pyne, a politician, as the piece’s subject, Hardy makes no reference
to his ability to develop policy or represent his electorate (as would be in
the public interest as a matter capable of affecting the people at large). This
was particularly a missed opportunity considering Hardy placed her discussion
of Pyne within the context of his appearance on Q and A where he discussed a number of political issues in depth.
Instead, Hardy focused predominantly on his voice and overall persona; which
arguably contributed nothing to policy debate[10].
Nonetheless,
Hardy’s piece is representative of the marked shift towards an opinion cycle as
opposed to a news cycle in Australian media; or as Stephen Rosenfeld (2000: 7)
calls it, “celebrating hot air over hard facts” (Burman 2006). This movement
towards “instant opinion” supplanting “legitimate investigation and
scholarship” most often presents itself in the form of character analysis
taking place of political analysis[11]
(Rosenfeld 2000; Gallop 2011). Former
Australian minister for finance, Lindsay Tanner’s book, Sideshow: Dumbing Down Democracy,
acutely documents the Australian media’s apparent retreat from their traditional
role of reporting serious political issues towards coverage focused on trivia,
gimmicks, and personalities (Tanner 2011). Perhaps most interestingly, Tanner
feels modern politics, which has been equally criticised for the unsavory use
of spin, 'announceables', slogans, and stunts, is a direct result of these
changing media dynamics (Tanner 2011). These dual developments have led critics
like Carmen Lawrence (in Hyland & Gordon 2011) to suggest media and
politicians are partaking in a “dance of mutual destruction” that is slowly
removing the policy from the politics.
Criticisms such
as these have large impact on analysis of current professional media ethics and
bring into question whether the Australian media’s license to express their
opinion within current regulatory framework is being abused largely due to
their seemingly mistaken understanding of what is in the public interest. The
wealth of stories focusing on Julia Gillard’s appearance, Tony Abbot’s
athleticism, Pyne’s ‘unlikeableness’ and even David Campbell’s sexuality
suggest, ironically to use Jonathan Green’s own words, “the media mistakes
public interest for public amusement” (Green 2010a). It then follows to more
critically ask whether such habits have the ability to significantly impact upon
the health of Australian democracy. Indeed it is harder for voters to form
informed judgments about major issues when the media as the key mediators
between the government and the voting public do not consistently fulfill all
three of their primary functions to inform, educate and entertain (ABCa 2011: 11). The extent to which they do not on a
larger scale is beyond the scope of this essay but a topic of considerable
interest and import.
It should
briefly be noted that an obvious point unaddressed in this essay is the fact
that Hardy’s piece was satirical, and thus not to be taken in all seriousness[12].
Those in favour of satire encouraged other readers to ‘lighten up’ and
appreciate the humour for what it was (Green 2010b). Yet, as this essay has
explored, whether politicians have thick skin when it comes to attacks of a
personal nature is mostly beside the point. The issue at hand is that, as
written in defamation law and regulatory media frameworks, a politician’s privacy
should be protected when it isn’t in the public interest.
Everyone has an opinion, but that is not to say all opinions are equally
relevant. Celebrating hot
air over hard facts as is exemplified in Marieke Hardy’s opinion piece not only poses potential legal problems for journalists but
also importantly puts into question the media’s professional
ethical standards and primary function in society. Hardy’s
missed opportunity to engage in pertinent political
debate and analysis regarding Christopher Pyne consequently reflected poorly
not only on her own ethical judgement but on the wider media trend of
unbalanced emphasis on “personality politics” in the news cycle. This has
altogether raised questions over the negative effect such pieces can have on
the health of Australian democracy.
References
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[1] It should be noted that quoting potentially defamatory material
also opens myself up to such offences. In defense, however, discussion of the
contents of Hardy’s opinion piece is undertaken in this essay for academic
purposes of critical reflection, not gossip.
[2] Parseltongue refers to the language of serpents, assumed to have a
negative connotation, in the Harry Potter
novels (Harry Potter Wiki 2011).
[3] Honest opinion and fair comment are what Pearson and Polden (2010:
234) call the “bread and butter defenses” of comment pieces. In Australian
defamation law, for opinion to be taken as fair comment it must be a matter of
“public interest” and based on provable facts “adequately referred to” (Pearson
& Polden 2010: 234).
[4] At the time of writing this essay, Pyne has not taken legal action
against the ABC but has threatened to sue on two occasions, one as recently as
March this year (Media Diary 2011; Crikey 2011).
[5] The ABC’s accuracy standard (2.1) notes that an opinion, “being a
value judgement or conclusion, cannot be found to be accurate or inaccurate in
the way facts can” but must still be conveyed accurately “in the
sense that quotes should be accurate and any editing should not distort
the meaning of the opinion expressed (ABC 2011a: 4).
[6] Public interest is
defined by the Australian Press Council in its Statement
of Principles as “involving a matter capable of affecting the people at large
so they might be legitimately interested in, or concerned about, what is going on.”
(in Pearson & Polden 2010: 453)
[7] The increasingly blurry line between fact and opinion and how this
potentially effects The Drum’s editorial
decisions and thus the “editorial context” of opinion pieces such as Hardy’s,
is outlined in Jonathan Holmes’ opinion piece, “You say opinion, I say analysis”
(Holmes 2009).
[8] Green’s tweet occurs within the context of numerous other tweets,
news stories and opinion columns on news sites that questioned the credibility
of The Drum as a site for “analysis”
on “issues of the day” in light of the editorial judgement to run Hardy’s piece
and leave it up for four days (Wright 2010; Maiden 2010; Tartnell 2010).
[9] It should be noted that the freedom to express oneself in Australia
is not an inherent right but an implied constitutional freedom (Pearson &
Polden 2010: 31).
[10] The timing of the attack was particularly interesting considering
only two months earlier Pyne was re-elected into the House of Representatives
with a 2.5% two-party preferred swing (AFR 2010), suggesting the personalised
angle Hardy chose was quite inconsequential to the voting public.
[11] This is not to say there are never times when the character of a
politician is an issue at hand, but more often than not, particularly in the
case of Hardy, this was not one of them.
[12] The genre of satire works in great part by exceeding tacit limits
of expression and stepping outside the norms of deliberation, civility and
“good taste” (Hariman 2008: 247-251). Therefore, because satire constantly
pushes the limits of what is acceptable, it is difficult to draw the line
between when humour becomes tasteless and unnecessary; and this was seen in
responses to the Hardy case.
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